Category Archives: Stories

Eulogy for my father

Patrick 5x4My father’s funeral was three months ago last week, and as several friends have told me strictly, it’s about time I posted HIS eulogy to go with my mother’s. His funeral was on December 9, and he died on November 26, three months and a day after my mother. I miss them both so much.

My brother and I accompanied both our parents to the furnace: it needed planning, but after I had conducted a funeral service myself, I had seen how the coffin was left in a corridor waiting for the furnace to be lit and I decided I didn’t want my parents to go the last few yards on their own. For our mother’s cremation, it went smoothly. My brother and I left the church together after the funeral for the crematorium, accompanied by the funeral director and the vicar; he said a few prayers including a most wonderful psalm, I rested my cheek against the coffin, the funeral director said “they are ready” and we went behind the scenes, through the kitchen, and waited while the coffin was pushed pneumatically into an oven so hot that when it went in there was a shot of fire as if by God. It was raw and it was holy. Continue reading

My mother


Scan 14 dThe funeral for my mother was a week ago. She would have loved it, I think… so many friends, the fact that my father was there, the flowers, the service written specially for her. She’d have put the pictures and the order of service on her new iPad and shown everyone with pride. My mother was an extraordinary person: she explored ideas, she made — and kept — so many friends of all ages, she cared for my father with so much love, she could still do headstands even just before that catastrophic stroke, she was a brilliant mother, she was wise and funny and she made me be a better person. Each morning I wake up and remember again. Here is her eulogy.

On Boxing Day 2004 our mother and father were in Sri Lanka. They had – though we didn’t know this until later – arranged to go on a little boat to a small temple island with friends, Alison, Alasdair and Cordelia, who was then eight. That morning my mother had gone for a walk on the beach and met with the wife of the hotel manager, with whom she had a wonderful discussion about… I don’t know… everyone here knows my mother’s astonishing capacity for making instant friendships and having wide ranging conversations about all sorts of exciting things. Continue reading

#TheTapestry forerunner of #TheDress

The DressThe furore around whether this dress, aka #TheDress is blue and black or white and gold (I say it’s white and gold. Obviously!) and the delicious vox pop videos the BBC and others are making of when they ask people about it (“you’re winding me up!??? Are you turning my spanner???”) makes me wonder what would have happened if there had been twitter and video in 1820s Paris.

That year the Gobelins Royal tapestry workshop in Paris had a problem. They were using the same bright dyes that they’d been using since the 1660s, and which they were famous for, and for which they were charging a fortune. The trouble was the coloured threads started coming up grey on the tapestry.

A dress manufacturer could just change the production line but these guys only managed about a square metre in a year (tapestries were about 12 feet high and longer across and were made by teams of weavers) so mistakes were pretty painful.

Today they’d have had young media types wandering around posh Parisian arrondissements holding up tapestry samples of bright red against orange and the same bright red against purple (“tu me fais marcher!?? vous me tournez ma clé à molette!!!?”) with the first one so much duller than the second. Continue reading

On time and nuns and MP3s

P1040645In Ladakh, northern India, a few days ago, I decided to walk from the city of Leh to Choglamsar Tibetan refugee camp, where I had taught for a summer, 30 years ago. It was five km, and I was determined not to ask the way.

I asked the way.

So much had changed. There had once been three shops, Now. Well, now there are more.

In the office I explained my story. The man looked blank until I mentioned the Buddhist nun who had shared her room with me in children’s house number 8. Then he jumped up and disappeared into another room. Ani Garab is here, he said. Continue reading

Ben Day, dot-maker, was a real person

Image

From a Hotrod comic book, 1950s, printed with Benday dots

When I was researching for my next book (A Brilliant History of Color in Art, to be published by the Getty in November) I looked into the Benday dots that Roy Lichtenstein made famous. And I learned that Benday was a real person. Benjamin Day. So I imagined a comic book sequence telling the story of his invention. Obviously you’ll have to imagine it too, as I can’t draw. Though if anyone wants to mock it up that would be cool.

FRAME ONE and TWO, BEN DAY as a kid – done in the black and white style of an 1850s news engraving drawing

(1852: A boy of about 14 is hunched over a desk. Behind him is an open door, where

NEW YORK SUN
Proprietor: Benjamin Henry Day.

is written in appropriate lettering. You can see his father in the next room, obviously the editor, but with a compositor’s magnifying glass…

“Dad. Black and white’s so last century. Isn’t there a way we could get some color into the paper?”

“I’m not made of money, Ben. You’d have to make it really cheap.”

NEXT FRAME, almost the same but the door’s closed… The boy’s scribbling now and thinking to himself

“Now… if I just combined three plates of dots…” Continue reading

A white chicken and a silver wheelbarrow

I looked out the window just now and THERE WAS A WHITE CHICKEN standing beside a silver wheelbarrow in our garden… Of course I wished – it almost hurt – that I had followed my instinct and painted it red, like in the William Carlos Williams poem. I had wanted to do it this spring just in case a white chicken wandered along. And then it did wander along and I wasn’t ready. Is there a metaphor somewhere there…. ? 

Faith in Conservation reissue

In January 2003 my husband, Martin Palmer, came home to the little cottage we lived in in the Peak District, and said that as part of the World Bank funding of some projects with his charity he had to write a book about what it was all about. They were going to publish it later that year.

He showed me the first draft of his history of the Alliance of Religions and Conservation (ARC), the charity he had set up with HRH Prince Philip eight years before.

It was nice, I said, and obviously it was amazing for the short amount of time he had available. “But if the World Bank is going to publish it, couldn’t we write a better book, an engaging one, full of stories that people would actually enjoy reading?”

And he smiled, as if that was what he was hoping I’d say, and asked me if I’d put a bit of time into improving it. “And maybe rewriting,” he said hopefully.  Continue reading

When Colour could kill and I got addicted to a design website…

Washington's verdigris dining room

Washington’s verdigris dining room

Last month the people at that wonderful (and horribly addictive) interior design website Houzz asked me to write a story about colour for their February Colour Month. It was a great chance to remember some of the extraordinary interiors stories I found while researching my Colour book, including George Washington’s insistence that his new dining room should be a particular fashionable green, made from verdigris (interestingly it was a British fashion, and he was writing home from the battlefield where he was fighting against the British in the American War of Independence.)

I also remembered one story which particularly delighted me at the time, (even though I have never had a comment about it from anyone which suggests I might have been a bit geeky) which was about the problems of painting pillar boxes red, or rather of finding a red paint that stayed red and didn’t drift to a cloudy and faded pink. For that one I spent a whole day in the Post Office archives in London, pulling out of storage letters written by angry ex Admirals who said the splotchy colour was unreasonably ugly on their streets in nice places like Tunbridge Wells, and perhaps the Post Office should bite the bullet and paint the boxes battleship grey, which at least would stand the British weather.

I took this in Bath's Great Pulteney Street: this wonderful old pillar box has no doubt been repainted many times since it was first installed more than a century ago

I took this in Bath’s Great Pulteney Street: this wonderful old pillar box has no doubt been repainted many times since it was first installed more than a century ago

There were also some awful tales about how children’s bedrooms in Victorian times were painted or wallpapered in one particular emerald green, which was seen as being jolly for children but which in reality was full of arsenic, and responsible for some horrible deaths and sicknesses. Yet despite that, at a talk given at London’s Royal Academy in the 1870s, there were still a few people who said that they didn’t care about the consequences; it was too marvellous a colour not to use. Here’s the Houzz story.

Always look on the bright side

ImageIn September 1993 I was sent from The South China Morning Post in Hong Kong to cover the first Beijing bid for the Olympics.

I was a rookie news reporter who knew just about nothing about sport, but I had, three and a half months before, been assigned to do a daily “100 days to the Beijing 2000 bid” countdown, with a new locally generated story every day.

After I had interviewed every potential olympic and paralympic athlete in Hong Kong that still left about 93 columns to find, each written with increasing desperation and I am ashamed to say even on one occasion involving cajoling one of the big hotels to make a “Beijing 2000″ chocolate cake. My reward was to be sent to Monte Carlo to cover the vote.

I remember how, on my way out of the airport in Nice, there was a shortage of trolleys. But a nice Englishman suggested I put my bag on his trolley and as he pushed it towards the buses, I asked him whether he too was going to the Olympic meeting. He said he was with the Manchester 2000 bid. When I got onto the press bus and he into another, the British journalists who had been preening themselves on the plane from London looked extremely impressed.

“How did YOU know Bobby Charlton?” asked the man from the Press Association.

Sir Bobby Charlton carried my bag once

Sydney, of course, was awarded the 2000 Olympics. I remember going to the Australian party that night and an Ozzie athlete telling the barman: “don’t worry about the champagne glasses, mate. I’ll just take the bottle.”

The Chinese had cancelled their party int the room next door, but halfway through the evening, I found the Manchester party in a smaller room down the corridor, with Britain’s finest athletes – including Sebastian Coe and Chris Boardman – sitting in thoughtful mood. Sir Bobby Charlton spotted me as I stood peering in at the door. “You again! Come and join us!” he called out. Continue reading

Colour, chemistry and scarlet geraniums

Nature so effortlessly produces the red in a red flower. Photo: Thomas Tolkien

A reader in Ukraine left a lovely message on this website recently: she said Colour had helped her make connections between art and chemistry, which was terrific to hear. It reminded me of a story I heard a few years ago, which I put into the foreword to the Folio edition of Colour, published in 2009.

The story was told to me by a retired Dutch industrialist, now a philanthropist and writer, who studed chemical engineering at Delft University of Technology in the 1940s. He was given the assignment to create a particular red shade out of petrochemicals. It was such a simple colour yet proved so complicated to reproduce. One day when he got back to his room, feeling depressed because he still hadn’t cracked the problem, he noticed a potted plant on his window sill. In a single day it had produced a perfect flower the exact shade of red he had been tasked to create.

Red geranium petal cells PHOTO: Umberto Salvagnin

“It was many years later when I wanted to find a way to understand what I was searching for in my life that I remembered the red of that flower,” he told me. “And how, where a human being with a sophisticated laboratory had failed again and again, nature had succeeded with just earth, water, air and light. Effortlessly.”

Tum Tiddly-Um

There are echoes of this sense of wonder in my favourite DH Lawrence poem.

Imagine that any mind ever thought a red geranium!

As if the redness of a red geranium could be anything but a sensual experience

and as if sensual experience could take place before there were any senses.

We know that even God could not imagine the redness of a red geranium

nor the smell of mignonette

when geraniums were not, and mignonette neither.

And even when they were, even God would have to have a nose to smell at the mignonette.

You can’t imagine the Holy Ghost sniffing at cherry-pie heliotrope.

Or the Most High, during the coal age, cudgelling his mighty brains

even if he had any brains: straining his mighty mind

to think, among the moss and mud of lizards and mastodons

to think out, in the abstract, when all was twilit green and muddy:

“Now there shall be tum-tiddly-um, and tum-tiddly um,

hey-presto! scarlet geranium!”

We know it couldn’t be done.

But imagine, among the mud and the mastodons

God sighing and yearning with tremendous creative yearning, in that dark green mess

oh, for some other beauty, some other beauty

that blossomed at last, red geranium, and mignonette.

I cannot now remember why that did not find its way into the book, because it was certainly one of the first quotes and poems I remember writing down. But it was ousted at the last minute, perhaps for copyright reasons, by a letter from John Ruskin to Winsor and Newton, and it is good to revisit it now.